Maggie's Musings

What to do when you hit a wall - creatively speaking

Posted by maggieroschyk  ·  November 18, 2009 9:45 AM

How do you avoid beader’s burnout?

I like to read forums about beading. They help me stay connected with other beaders and hear the latest news in the bead world. From time to time, I read a post by a person who is selling an entire bead stash. Other times, people write to say that after experiencing beader’s block they’re leaving beading and moving on to another interest. Reading these posts makes me introspective. I wonder what would I do if I became totally burned out on beading. The bigger question is, how can I prevent beading burnout?

Let’s define burnout and talk about some of the symptoms. Try to answer the following question as truthfully as possible.

When you enter a well-stocked bead store, your response is:

A – Surge of excitement, adrenaline coursing through your veins

B – Sense of wonder and amazement at the new colors of Swarovski crystals

C – Apathy, as in, "I’ve seen these bead colors before."

D – Negativity, as in, "If I start a new project, I probably won’t finish it."

My response is normally along the lines of A, but that could also be a symptom of ingesting too much caffeine and sugar.

If you answered C or D, you could be in danger of becoming burned out on beading.

Does this sound familiar? Your favorite seed bead color F460 Q looks dull and uninviting. Perhaps you’ve made several necklaces using a particular pattern or stitch and are ready to move on but can’t decide what to do next. Too many UFOs (unfinished objects) lying about? If any of these describe your mindset, don’t throw out the bead mat.

Here are some tips that I’ve found useful for rejuvenating and nurturing my creativity and lifting myself from the slough of bead despondency.

Beads play a significant part of my little world. I write about beads and beading. I teach others how to bead and I make and sell beaded jewelry. I usually bead several hours a day, five days a week. I always have a beading needle and beads within reach. Even so, I need to be able to draw from the creativity in my brain to design new shapes or put together arrangements of color. I need to pull a fresh bucket of beading ideas from the well regularly. Here’s how I keep my well from going dry.

Get out of the house.

This advice can be taken literally or figuratively. Take a notebook and pencil along on a walk. Sketch shapes and forms, and write down the color combinations that nature provides freely.

Go to the bookstore or library but stay away from the beadwork titles. Instead, look for books and magazines that might have photos of kimonos, architecture, orchids, weaving, painting ... While perusing a book on paintings from the Renaissance, you might happen to see a necklace adorning the neck of some ill-fated queen and it may inspire you. It could happen!

 

Learn something new

Call up your BBFF (best beady friend forever) and arrange to take some new classes together. Even if you live where beading classes are scarce, don’t use that as an excuse to walk out on beads. There’s an abundance of classes online at BeadAndButton.com and elsewhere, and you can always turn to Bead&Button magazine for something new to try.

Buy a tube of orange beads

Buy any color of beads that is totally out of your comfort zone. Sometimes, a jarring jolt of color (say that fast three times) can kick-start the neurons and ideas will start flowing.

Teach a beading project to a friend

Do you have friends that oooh and aaah over your beaded creations? When you hit a dry spell, volunteer to teach something simple to a friend, or several. Seeing the craft of beading through other people’s eyes can be very inspiring. And there’s the joy of knowing that you’ve infected one more person with the beading bug.

Simplicity of stringing

Whenever I finish a big beading project, the thought of beginning something new right away just feels exhausting. I need a break from intensive stitching with size 15 seeds, so I look for something easy, something simple to do. Like stringing big beads. Yep, nothing technical about it. My favorite pieces of jewelry to wear are simple carnelian round beads, strung on Soft-flex with a toggle clasp. I find that stringing this style of necklace doesn’t require careful attention and is relaxing. BeadStyle magazine is loaded with inspiration for using stones, pearls, and crystals for something gorgeous. While stringing big-picture jasper beads, before too long, a new seed bead idea starts taking form in my mind.

Do you have any cures for beady burnout? Please share with us here! Or, go to BeadAndButton.com/forum and share there.

Somebody needs to set up a hotline for those affected.

 

 

Maggie Roschyk is an accomplished beadwork and jewelry artist who teaches jewelry making and publishes articles about designing jewelry. She loves teaching aspiring artists and seeing the "aha" moment in their eyes. Her goal is to inspire others to look beyond the empirical moment and strive to create beaded art that reflects their individualism.
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Comments

  • November 18, 2009 @ 5:15 PM
    Solaan said...

    Burn-out can be a killer no matter what the discipline! I spend most of my time making occasion hats (fancy affairs for ladies) and sometimes I just don't want to see another feather, not ever.

    When this happens I try to turn the thing around. OK, a feather trims a hat but what else can I do with it - earrings? A necklace? A miniature skirt for my beaded doll? It can be a matter of seeing the bead  (feather or whatever)  in a different light so that it becomes a different thing.

    This can lead to unexpected developments that somehow ease you back onto the creative path. Last time I met The Block (last week) it resolved itself into a new range of evening purses, complete with a (you've guessed) beaded, feathered trim.

    Fight The Block and it wins hands down; ease off and it evaporates, or that's what I've found.

    Happy making to us all.

  • November 21, 2009 @ 9:31 AM

    If one's burn out is just a matter of lack of ideas, something I do is I have a container of random beads that are either the last few from a finished project, or part of a grab bag that I got, or however they ended up there, and when no ideas are coming, or what I have just doesnt do anything for me, I sit down with that box and tell myself I have to make something using only the beads in that box. And maybe this is more about beader's block then burn out, but it works for me.

  • December 1, 2009 @ 2:48 AM
    Lois2037 said...

    I just got through a huge creative block.  It lasted a year, and I could not work on anything artistic or creative at all.  It wasn't just a lack of ideas, it was an absence of motivation, too.  I found a lot of comfort looking at my beads and reference books and magazines, but could not get anything started.  I ended up doing a whole lot of simple knitting, which is repetitive, easy, and provides a lot of tactile and color enjoyment.  I did nothing complicated or intricate, just big rectangular shawls and the like.  Then one day, about a month ago, I found myself beading again, just like that, and the block was over, like a long illness finally running its course.  Nothing I did to try and break through or overcome it worked -- I just lived with it until it lifted.

  • December 1, 2009 @ 8:59 AM
    Dragon Nana said...

    When I'm done with a major project I go to the library and load up on books from my ever-growing  'to-read' list. Reading has always been my #1 favorite thing in the world, next to chocolate... After a book or two I'm ready to tackle another beading adventure.

  • December 1, 2009 @ 9:16 AM
    yumbeads said...

    So true: more ideas than time!!!  Time is my most valuable and least available asset, even though I must spend at least 6-8 hours a day beading (husband says it is more like 12!)  And when the beading muse is in-house, throwing MORE ideas at you, you can become pathetic.

    I have successfully used all of the techniques listed in the article.  Sometimes I rent a dvd just to replay (over and over) specific scenes with the jewelry in them.  Nature walks are also extremely helpful.  I have even stopped people on the street just to write down the colors in the clothing they are wearing.  And I have had to explain to hopeful artists that, no, I am not interested in purchasing that painting I am studying so intensely - just trying to remember the colors, values, and percentages in it.  You get your inspiration wherever you can.

    But the rapid pulse, surge of excitement and creativity, and overwhelming desire to own even more beads upon seeing a bead display (and more so at a bead convention!) is so much a part of who I am that I cannot imagine losing that.  It would be losing a part of my soul.  I know.  Spoken like a true addict.....

  • January 2, 2010 @ 9:02 PM
    BrightCircle said...

    Hmm. Have I ever had burnout? After a big contest entry piece, I'll want a break from those sizes and colours. After finishing my first 'Crime Scene Do Not Cross' lariat, I didn't want to do square stitch for a long time.

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