I ditto everything MollieM said here. The book is fantastic and you'll need to practice a bit. Also, enameling is for detail oriented, neat people because it's all in the details.
I have done enameling and had many successes and some failures. But these days I'm very excited about the new resins with Metal Clay simply because they're less fragile (enamel can fracture when a piece is dropped, and I've done that many times) and because you can get vibrant colors and are difficult to achieve with enamels due to the chemical interactions with the silver.
That said, I think you should try it and see what YOU think!
QUOTE: Originally posted by MollieM
Enameling on fired and tumbled PMC is no different from enameling on regular fine silver sheet. You should test any color enamel that you are going to use ... some look better over silver and others look better over clear flux or gold. Reds, pinks, and other warm colors tend to work best over gold or over clear flux on silver because often the silver salts will interact with the enamel and will produce an unattractive burnt orange or brown color to. Aside from that, the statement that blues and greens work best on PMC probably refers to Mary Ellin D'Agostino's technique of embedding and kneeding enamel into PMC before it's fired. There is a substantial learning curve when it comes to enameling, so personally I would start on copper first until you get the hang of wet-packing or sifting and what fused enamel looks like (so hopefully you won't overfire enamel on your silver). Linda Darty wrote a FANTASTIC book on enameling called "The Art of Enameling," I HIGHLY reccommend it. I have been enameling for several years and teaching enameling for about a year and I reference this book nearly every week. IMHO it's worth it's weight in gold. I was fortunate enough to take a workshop with Linda Darty 2 years ago, it was wonderful ... if she's ever teaching near you sign up for her class immediately! Good luck!
Mollie
|
|